Welcome to my blog, where I am working towards producing a music video accompanied by ancillary texts for the track It's Ok by Atomic Kitten

Thursday, 12 September 2013

EG8-12: 5 Music Video Analyses

ACT: The 1975
TRACK: Chocolate
YEAR: 2013
DIRECTOR: Unknown
MAIN AUDIENCE: 15+

VIDEO:


The video is shot in black and white and features many smooth, slow motion shots. As Matt Healy is the lead singer, there are many more shots of himself individually lip syncing. There is also a girl featured in the video, and a silhouette of her body is shown on camera and she is blonde which attracts a male audience. 

ACT: Peace
TRACK: Follow Baby
YEAR: 2012
DIRECTOR: Jake Harmer
GENRE: Indie Rock
MAIN AUDIENCE: 15+

VIDEO:


The video is a performance by the band, set in a living room. During the chorus', the furniture moves and is thrown around the room, with blue and purple flashing lights. The shots used are mostly long and medium shots, focusing mostly on the lead singer lip syncing into a standing microphone.

TRACK: Don't Stop The Party
YEAR: 2011
DIRECTOR: Ben Mor
GENRE: Hip House
MAIN AUDIENCE: 15-25

VIDEO:


The video is fast paced to match the beat of the music and features footage from their E.N.D world tour in Brazil. The video also features diegetic sound from the audiences at the arena concert. The footage represents the genre, as there are colourful flashing lights and the band are featured wearing 'trendy' outfits which signify the modern element to the song.

ACT: Paramore
TRACK: Decode
YEAR: 2008
DIRECTOR: Shane Drake
GENRE: Emo
MAIN AUDIENCE: 15-30

VIDEO:

This video features footage from Twilight (2008) and footage of the band searching through the woods which is intercut with performance scenes in a forest by the band. The vampire theme is reflected by the dull, cold colours, and the lead singers makeup and pale skin signify the coldness typically associated with vampires.

YEAR: 2012
DIRECTOR: Saman Keshavarz
GENRE: Dance-pop
MAIN AUDIENCE: 10-30

VIDEO:

Throughout the video there is diegetic sound of car engines as the police motorbike is chasing the two getaway cars. There are also various effects used, such as split screens and zooms into reflections of sunglasses, which work effectively. The video is a concept, as there is no clear link between the lyrics and visuals.

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